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| We have created this page to give you a voice. We therefore urge you to speak back, give us your comments, ideas and your point of view. With your participation, we can ensure the magazine's continued vitality. Thank you |
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| I am a sculptor, and your publication is far and away the best magazine that I receive. Keep up the good work, and I look forward to the new issue.... Clay Enoch Colorado Springs, Colorado |
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| BRAVO!! What an issue! Mine came today and I've been thinking about since 9AM when I got the mail. I wrote this quick mini-review and posted it to a bulletin board in which I participate, H-NILAS which stands for "Humanities -- Nature in Literature and Story." If I were a milliionaire, I'd send them each a copy of the issue. It's really quite extraordinary. Also, I think that it represents a new vitality in sculpture, an escape from categories into direct experience and the post-modern discussions about reality. Mary Scriver Valier, Montana |
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| I am really impressed by your website and am very keen to subscribe. Could you tell me where in the Manchester, UK area I may get hold of a copy? Many thanks in advance Claire Livingstone |
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| I really appreciate your art magazine and its aim to spread out the figurative sculpture around this modern world. In São Paulo (Brazil) I am an art school proprietary and I want to make my pupils to know about this magazine. Happy new year. Yours, Cícero DAvila |
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| I just purchased my first issue of Sculpture and enjoyed it's content, professional imagery, and minimalist advertising. However, how much more would it cost to publish this in color (or at least partially in color)? Thank you, A. Corrao, San Diego, CA |
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| My issue of SCULPTURE REVIEW came in yesterday’s mail. Germana, it is BEAUTIFUL, from the stunning cover and throughout it shines with "uniqueness" and of vision. WELL DONE AND BRAVO!!!!!!!!!!!!!!!!! I am delighted and well pleased and honored to have been a part of this Summer 03 Issue. |
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| I am utterly pleased with the article, in terms of both the textual and the visual content. The layout is superb. This is the first time anything has been written about my work that truly makes sense and even gives ME a new understanding of what I have been about. I must say that I feel wonderful about this and am ready to tackle new work with the advantage of having been understood and appreciated. With many thanks, Aldo Casanova Claremont, CA |
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| I would like to compliment you on a really wonderful issue Fall of 2000 - "Women Self-Image". I find your articles truly inspiring and well written. Your magazine is a focus of the deep passion and dedication so many of the true artist have given their life to throughout history. Thank you so much for the high standard of quality your magazine consistantly maintains. Dana Kelly |
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| Great magazine. I found a copy at my local newstand, and found lots of ads but not many words. So I rushed home to see what your website had. Is there an email newsletter or announcement list to which I can subscribe?
JCL |
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| I finally got the Fall 2000 issue - it's my first - and I love it! It is so beautiful! Thank you. Nancy Pirri |
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| I am a novice sculptor, and recently discovered your magazine. I wanted you to know how impressed I am with this fantastic resource! Thank you for providing a fabulous and inspiring magazine!
Christy Downing |
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| I’ve subscribed to the Sculpture Review for over 26 years so I have seen a number of style changes to the publication, and by and large I like the current style. It is one of the few publications I read cover to cover almost as soon as I receive it. But in reading the last issue, Fall 00, there were a number of “style” issues that made the publication more difficult to use, or less useful to me. My comments, in no particular order- * The pictures are at least as important as the article they accompany. But it is difficult to connect the pictures to the articles because they are not labeled with the title, name of the sculptor, and the photographer either below or even on the picture. . . . * And there are several other publications that “cover” non-sculpture such as that shown on page 30 by Louise Bourgeois - don’t waste the paper on things that clearly don’t “fit” this publication. A quick glance at the Sculptors’ Carousel pictures shows that the Bourgeois piece is not a fit. If the point is to be critical, Kritike, then comment on the “sculptor’s” lack of vision of craftsmanship. But why waste paper and ink. * And as I said at the beginning, if I didn’t enjoy Sculpture Review, if I didn’t read it, I wouldn’t be taking the time to send you my comments. Gary G. Conover |
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| In your Fall 2000 article on the "Artists' Words" Laura Ziegler and Elizabeth MAcQueen both make extremely confrontational remarks about men in general. . . . In the name of fairness and equality, I hope you will publish an issue devoted only to men, and allow them to make statements about how strong and transcendent they are, and how helpless and pathetic and evil women are. Miles Mathis |