Sculpture Review
Winter 2005

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Page 12

Sculpture Through the Lens

by Ellen B. Cutler

...Sculpture was an important subject in photography from the invention of the medium in the late 1830s. There were a number of reasons for this. First, exposure times were slow, and sculpture was dependably immobile. Second, many early photographers were themselves painters and sculptors, and photography provided a valuable means for publicizing work that was rarely portable. Photography, moreover, offered a way to document works of art for further study.
The relationship between sculpture and photography, however, was not merely one of convenience. Many photographers vigorously disputed the view that photographs were merely a mechanical product and not works of art. In an effort to carve out a niche for photography among the traditional “fine arts” of painting, sculpture, and architecture, photographers made pictures that borrowed the subjects and emulated effects of painting; sculpture was often used as a central element in a still-life composition.



Photography and Sculpture
Feature Article:
When Sculpture First Posed for a Photograph
by Hans P. Kraus Jr.
Sculpture Through the Lens
by Ellen B. Cutler
A Practical Synergy Two Photographers Specialize in Shooting Sculpture
by Wolfgang Mabry
Fratelli Alinari: First Photographs of Florentine Sculpture
by Maria Possenti
Light on Stone: Greek and Roman Sculpture in The Metropolitan Museum of Art
by Elizabeth J. Milleker and Joseph Coscia Jr.
Sculpture in the Age of Photography
by Martina Droth


Current issue: Winter 2005