Sculpture Review Winter 2003 Click here or on picture for enlargement MARISOL and Her Freedom of Space: by Ana María Escallón Like the child in Günter Grass’s The Tin Drum, or the woman who maintains silence for many years in Isabel Allende’s novel The House of the Spirits, Marisol Escobar is an artist with a particular innocence and sensibility. Totally a New Yorker, she is, at the same time, Venezuelan by family heritage. She looks at the world with irony and acute sensitivity, attentive to the smallest details.
			Feature Article: Echoing Images Couples in African Sculpture by Alisa LaGamma Masters of Northwest Coast Sculpture by Steve Brown Aggressive Primitivism by Mark Daniel Cohen Jonathan Shahn: Wood Sculpture by Suzanne Smith Arney The Body Made of Wood: Figurative Sculpture in Spain from the Fifteenth Century until Today by Sara Murado-Arias MARISOL and Her Freedom of Space by Ana María Escallón Current issue: Winter 2003