Sculpture Review
Summer 2006

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Archetype and Allegory: Marino Marini's Horses and Riders
by Ellen B. Cutler

Horses and riders constitute the great theme in the art of Italian sculptor Marino Marini (1901–1980). Early on, the equestrian motif references an Arcadian past. Alone, the horse is an archetypal image of nature; horse and rider together represent human existence within a harmonious cosmology. Over the course of thirty years, Marini’s horses, both ridden and riderless, evolve in form and spirit.
Fragmented and distorted, they become an expressionistic and abstract vehicle for Marini’s optimistic belief in human possibilities and his anguish at the devastation inflicted by humanity’s worst impulses...

Rise and Fall of the Horseman
Feature Article:
Horse and Man in Greek Art by Seán Hemingway
Archetype and Allegory:
Marino Marini's Horses and Riders
by Ellen B. Cutler
Man and Horse In the Work of Anna Hyatt Huntington: Two Examples
by Robin R. Salmon
Understanding The Rearing Horse and Rider
by A. D. Wagner


Current Issue: Summer 2006