Sculpture Review
Summer 2004

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Bruno Lucchesi and the Tradition of Figurative Terracotta
by Sara Murado-Arias

When he was in his twenties, Bruno Lucchesi, today a living legend, became fascinated by the speed of working with terracotta. He was introduced to clay in one of his early jobs at the Paternino Reproduction Company, a ceramics factory. The medium - soft, malleable, mutable, and inclined to lend itself to the achievement of fine details - awoke his ingenuity. As a clay sculptor, Lucchesi talks with a great deal of captivation of the technical aspects of making a figure out of shapeless matter. At the factory, he was entrusted with the quick production - sometimes making as many figures as one a day - of decorative warriors, pirates, and Madonnas. There he developed his signature technique: sfoglia.
Feature Article:
Something noble from the vile earth
by Anna Tahinci
Bruno Lucchesi and the Tradition of Figurative Terracotta
by Sara Murado-Arias
Della Robbia Glazed Terracotta in Renaissance Art
by Laura Morelli
Terracotta Army of Emperor Qin
by W. LaBier Jones
Borrowing from the Past, Pushing toward the Future
by D. Dominick Lombardi


Current issue: Summer 2004