Sculpture Review
Summer 2003

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Leo Osborne

by Constance Mears

Visionaries throughout time have created stories and myths as a way to explore and explain the mysteries of the human experience. Often, these stories involve fantastical creatures - ”half-human, half-animal, fish, or bird - beings caught between two worlds. The Egyptians had the Sphinx, while coastal tribes of North America told stories of Raven, who could shape-shift between forms. The Celts wove tales of unicorns and mermaids.
Artists represented these creatures to depict the most profound mysteries of life -”birth, death, and the cycles of transformation. In many cultures, creating art was a sacred function, and this is how Leo Osborne approaches his work.
Feature Article:
ANIMAL
Symbolism
in Ancient Egyptian Art:
by William H. Peck
The Sculpture of Aldo Casanova
by James M. Dennis
Leo Osborne
by Constance Mears
Novello Finotti
by Giorgio Cortenova
Toni Putnam
by Robert Kushner

Current issue: Summer 2003