Sculpture Review
Summer 2003

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The Sculpture of Aldo Casanova

by James M. Dennis

The art of California sculptor Aldo Casanova matured as modernism in a distinctly American manner. That is, in form and content it originated from within an inherent attraction to nature and derived little from art historical sources, for example, from increasingly formalized Cubism, the primary path of anti-academic modernism until 1950. Animal abstractions, anthropomorphous transmutations, and imaginative landscapes were to highlight his career in that order.
Feature Article:
ANIMAL
Symbolism
in Ancient Egyptian Art:
by William H. Peck
The Sculpture of Aldo Casanova
by James M. Dennis
Leo Osborne
by Constance Mears
Novello Finotti
by Giorgio Cortenova
Toni Putnam
by Robert Kushner

Current issue: Summer 2003