Sculpture Review
Spring 2006

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Feature Article:
Teaching the Basics to Foster Mastery:
A Survey of Figurative Sculpture Programs
by Kim Carpenter

In its challenge of expressing the vast complexity of human emotion while also capturing every nuance of even the most subtle gesture, figurative sculpture is one of the most demanding and exacting artistic disciplines. And perhaps more so than any other art form, figurative sculpture involves a unique and intense relationship between the sculptor and the subject. For that reason, how schools teach the wide range of basic knowledge and advanced expertise, as well as acknowledge and nurture intuition, provides insights into how figurative sculptors approach their compelling subject matter.

The New York Academy of Art and the Florence Academy offer particularly instructive examples of how educational institutions instruct students in the fundamentals of capturing their evocative and often elusive human subjects. Both focus solely on figurative sculpture, painting, and drawing, and as such, their curricula serve as primary examples of the methodology and pedagogical approaches instructors rely upon to train an emerging generation of figurative sculptors. While other fine and studio art programsÐsuch as those at the University of California, Berkeley, and the University of OklahomaÐdo not center exclusively on figurative sculpture, their course offerings also indicate how artists are being taught to render the human form. .

Feature Article:
Teaching the Basics to Foster Mastery:
A Survey of Figurative Sculpture Programs
by Kim Carpenter
Great Expectations:
The Legacy of Teaching at Two Art Schools in New York
by Kyunghee Pyun
Elisabeth Gordon Chandler Sculptor, Educator, Arts College Founder
by Helen Barnett
EvAngelos Frudakis:
A Sculptor's Life of Learning
by Jodie Shull


Current Issue: Spring 2006