Sculpture Review
Spring 2005

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An Abundance of Life The Morton Swinsky Collection
by Ellen B. Cutler

Some collections result from the acquisition of artworks listed on a master plan in pursuit of an ensemble in which each piece sounds a harmonious note. Other collections simply evolve; the reasons a collector has for buying the works sooner or later constitute the logic that binds them together as a group. The sculptures amassed by Morton Swinsky constitute the latter kind of collection. Swinsky's New York City duplex, moreover, would have to be described as his collection's home-works line bookshelves, hang from doors and walls, fill corners, and occupy the tops of tables and desks. When the author suggested that there is a "more is better" quality to his collection, he said, "That"s how I am."
Feature Article:
Anchoring a Gyroscope: Showcasing the Hirshhorn Museum and Sculpture Garden's Permanent Collection
by Kim Carpenter
The Huntingtons: A Legacy of Giving
by Robin R. Salmon
Figurative Sculpture Remains the Focal Point of Successful Art Collections in the United States
by Wilhelmina Derek Summers
An Abundance of Life The Morton Swinsky Collection
by Ellen B. Cutler
Museum Collections
by Julianne Crane
Richard McDermott Miller, FNSS
by Gwen Pier


Current issue: Spring 2005