Sculpture Review
Spring 2005

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Figurative Sculpture Remains the Focal Point of Successful Art Collections in the United States
by Wilhelmina Derek Summers

To understand the continuing role and importance of figurative sculpture today, I interviewed four representatives of the most successful and complete collections of the figure. Margaret Schwartz, Senior Vice President of European Works of Art at Sothebyıs in New York, deals mostly in sculpture from the tenth century to around 1830. Jed Morse is Assistant Curator at the Nasher Sculpture Center, in Dallas. Nasher exhibits both modern and contemporary sculpture created in the last 125 years. Joseph Antenucci Becherer of the Frederick Meijer Gardens in Grand Rapids, Michigan, focuses on sculpture from the late nineteenth century to the present. Finally, Janis Gardner Cecil, Director of the Marlborough Gallery in New York, represents artists working primarily over the last twenty-five years. Each collection represents and displays different styles and genres of figurative sculpture, but the success of each collection indicates that figurative sculpture is as meaningful today as it has ever been.
Feature Article:
Anchoring a Gyroscope: Showcasing the Hirshhorn Museum and Sculpture Garden's Permanent Collection
by Kim Carpenter
The Huntingtons: A Legacy of Giving
by Robin R. Salmon
Figurative Sculpture Remains the Focal Point of Successful Art Collections in the United States
by Wilhelmina Derek Summers
An Abundance of Life The Morton Swinsky Collection
by Ellen B. Cutler
Museum Collections
by Julianne Crane
Richard McDermott Miller, FNSS
by Gwen Pier


Current issue: Spring 2005