Sculpture Review
Spring 2004

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The Skill and the Sculptor
by E. Adina Gordon

As in classical Greece, sculptors of the Renaissance rose to the level of poets and philosophers, attaining a status not afforded their medieval counterparts. Assistants to those Renaissance masters are remembered only if they later attained fame for their own work. In affirmation of the artist as the intellectual creator of meaning and content whose models were translated by other hands into the finished product, sculptors from the Renaissance onward were accorded professional status and held in high esteem in society.
Feature Article:
The Guided Hand of the Ancient Egyptian Sculptor
by William H. Peck
Alex Ettl: Commitment and Compassion
by D. Dominick Lombardi
John Sollenne
by Stanley Bleifeld
Sculpture as the Union of Art and Craft
by Ellen B. Cutler
The Skill and the Sculptor
by E. Adina Gordon
The Work behind the Sculptor's hands
by Ilaria Cipriani


Current issue: Spring 2004