Sculpture Review
Spring 2004

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John Sollenne
by Stanley Bleifeld

The fecund Mediterranean foundry environment made it easy to fall for sculpture, because the inspirational help from the many artisans, sculptors, and native Italian well-wishers nurtured my growing calling. Connecticut is beautiful, but at the time, “sculpture” there seemed a foreign word.
However, I got lucky. In a nearby Connecticut foundry, which then seemed to me to invent the casting process out of thin air, I found a young man of Italian origin, who spoke little English. He muttered under his breath about the foundry’s methods, which he viewed with considerable perplexity.
Feature Article:
The Guided Hand of the Ancient Egyptian Sculptor
by William H. Peck
Alex Ettl: Commitment and Compassion
by D. Dominick Lombardi
John Sollenne
by Stanley Bleifeld
Sculpture as the Union of Art and Craft
by Ellen B. Cutler
The Skill and the Sculptor
by E. Adina Gordon
The Work behind the Sculptor's hands
by Ilaria Cipriani


Current issue: Spring 2004