Sculpture Review
Spring 2004

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Alex Ettl: Commitment and Compassion
by D. Dominick Lombardi

Alex J. Ettl once said of his father, John Ettl, that he was a “busted nobleman” who squandered his inherited fortune on “fast women and slow horses.” Alex Ettl was the opposite. Thrifty, forceful, and charismatic, he saw his place in the growing New York art world as a proponent of everything sculptural.
Born in 1899, Ettl left school at fifteen to work with his father in his studio, where they performed a number of services. In those early days, the clay they made was delivered by a horse-drawn cart, traveling New York City’s cobblestone streets lit by gas lamps.
Feature Article:
The Guided Hand of the Ancient Egyptian Sculptor
by William H. Peck
Alex Ettl: Commitment and Compassion
by D. Dominick Lombardi
John Sollenne
by Stanley Bleifeld
Sculpture as the Union of Art and Craft
by Ellen B. Cutler
The Skill and the Sculptor
by E. Adina Gordon
The Work behind the Sculptor's hands
by Ilaria Cipriani


Current issue: Spring 2004