Sculpture Review
Spring 2004

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Feature Article:
The Guided Hand of the Ancient Egyptian Sculptor:
by William H. Peck

There was no word in the ancient Egyptian language for “art” as we might define it today. The idea of art for its own sake or as a personal expression would have been totally foreign to the Egyptian mind, because all artistic production was generated in the service of religion and the state, the ruler and the gods. Egyptian art was essentially a symbolic language with a prescribed vocabulary capable of being read as directly as Egyptian hieroglyphs. It was not the role of the sculptor to invent variations on that language, but to learn its rules and apply them.
Feature Article:
The Guided Hand of the Ancient Egyptian Sculptor
by William H. Peck
Alex Ettl: Commitment and Compassion
by D. Dominick Lombardi
John Sollenne
by Stanley Bleifeld
Sculpture as the Union of Art and Craft
by Ellen B. Cutler
The Skill and the Sculptor
by E. Adina Gordon
The Work behind the Sculptor's hands
by Ilaria Cipriani


Current issue: Spring 2004