Sculpture Review
Fall 2005

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Simplicity of Form: A Conversation Between Sculptor and Material
by Nina Costanza

Simplicity of form, a fundamental principle of art, represents cohesiveness between sculptor and material. The sculptors we encounter in this article—Isabel Case Borgatta, Lorrie Goulet, José de Creeft, Béla Bácsi, John Edward Svenson, Tom Silveroli, Tim Cherry, and Betty Branch—are often influenced by archetypes—mythology, nature, Roman/Greek classicism, Egyptian/Mayan traditions. Each artist indicates an organic relationship to the medium, allowing the composition an eloquence that bares the artist’s personal intention—viscerally and spiritually.


Character Flaws in Clay:
Feature Article:
Aztec Empire
by David Finn and Susan Joy Slack
Brancusi and Noguchi: On Abstraction and Representation
by Tracey Fugami
The Expression of Cleo Hartwig
by Nancy DeJesus
Luisa Granero: The Graceful Simplicity of the Nude
by Ruth Perez-Chaves
Simplicity of Form: A Conversation Between Sculptor and Material
by Nina Costanza


Current issue: Fall 2005