Sculpture Review
Fall 2003

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Patrick Kipper, Master Patineur
by Suzanne Smith Arney

From his studio in Loveland, Colorado, Kipper talks about his ongoing fascination with patinas and sculpture. “There’s a whole history of the world in bronze casting,” he comments.
That history of casting bronze - for tools, weapons, and devotional art works - spans nearly five thousand years. The innovation of adding a small amount of tin to copper to make a stronger alloy gave its name to the Bronze Age (3000 - 1000 b.c.). At different times and in different places, the alloy’s composition has changed, but copper remains the dominant metal. Today, the vast majority of castings in America are made of silicon bronze (copper/ silica/ manganese).
Feature Article:
Coloring of Marble Sculpture in Antiquity
by Colette Czapski Hemingway
Marble, Painted and Pure:
Renaissance Sculpture in Central Italy
by Laura Morelli
Patrick Kipper, Master Patineur
by Suzanne Smith Arney
The Shape of Color:
Picasso's Painted Sculptures
by Anna Tahinci
Polychromy
by Ellen B. Cutler
Color in sculpture: Scandal and Revival:
by E. Adina Gordon
Robert Alexander Weinman, FNSS (1915 - 2003)
by Gwen Pier


Current issue: Fall 2003