Sculpture Review
Fall 2003

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Marble, Painted and Pure:
Renaissance Sculpture in Central Italy
by Laura Morelli

In the Middle Ages and the Renaissance, people considered marble a luxury material. For most sculptors and patrons, the cost to quarry and transport marble limited its use to exceptional commissions. Only in central Italy, where the sheer quantity and availability of marble made the region unique in Europe, had artists since antiquity quarried and worked the stone.
Feature Article:
Coloring of Marble Sculpture in Antiquity
by Colette Czapski Hemingway
Marble, Painted and Pure:
Renaissance Sculpture in Central Italy
by Laura Morelli
Patrick Kipper, Master Patineur
by Suzanne Smith Arney
The Shape of Color:
Picasso's Painted Sculptures
by Anna Tahinci
Polychromy
by Ellen B. Cutler
Color in sculpture: Scandal and Revival:
by E. Adina Gordon
Robert Alexander Weinman, FNSS (1915 - 2003)
by Gwen Pier


Current issue: Fall 2003